Martin Fisher

Jane Austen Is Not a Tart

Trust me, I was in Basingstoke.
“I am half agony, half hope.”

The forest had acoustics like a lightening house.
Something tiger-bright moved within the light.
What was stolen left a darkness behind it.

Fire, the slave of passion, lounged
like a salamander on a chaise longue, while
logic dismantled in the night.

Hot sauce.

I knew my own happiness.

Duplicate vultures,
an absence calculated in bones,
flapped down the M3.

Winchester in sight; the ruin of Basingrad’s
roundabouts held in the dead mirror.

“I was in the middle
before I knew that I had begun.”

A regulated hater.

Ahead: Aunt Jane and that bloke under the hill.
No map for this country.

And I’m rolling through, King of the B3046.
The van in a ditch; I’m throwing a sword
into the unquiet water.

Author Reading

Night Mice

Feed me banana gas,
that yellow miracle –
those Ciénaga filling stations
shut back in 1928.
I can still smell the fumes.

A lone lamp post,
rust-yellow in the dark.

Behind it,
a whitewashed wall,
grey shuttered windows –
silent to its solo oversight
over two mice waltzing.

The road seems deserted
save for a splashing cab.
Retail sheds glow
rainbows hugging
the night workers.

Before me,
the kebab shop: red
peeling frame, striplight white,
grey meat spinning inside –
Nirvana at 1 a.m.

I spy a banana pump
stuck under a neon halo.

I send a man to steal it;
the mice say “No.”

Author Reading

About the Author

Martin Fisher’s poems have appeared in Ink Sweat & Tears, Poems, Tales & Other English Words, Cosmic Daffodil Journal, Neon Smoke, and Elysian Literary. His working life has taken him across Africa and Europe, and he now lives in the United Kingdom, where he works as a professional gardener. He shares his home with his wife and two dogs, Eli and Juno. He writes from enjoyment, not ambition, in the spaces between the garden and the day.