<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>2026-06 on Red Ogre Review</title><link>/issues/2026-06/</link><description>Recent content in 2026-06 on Red Ogre Review</description><generator>Hugo 0.125.1</generator><language>en</language><copyright>Copyright 2021-Present Red Ogre Review</copyright><atom:link href="/issues/2026-06/index.xml" rel="self" type="application/rss+xml"/><item><title>Editor's Note 6/26</title><link>/issues/2026-06/2026-06-introduction/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-introduction/</guid><description>Moonshine. This dessert combines a pretty appearance with palatable flavor, and is a convenient substitute for ice-cream. Beat the whites of six eggs in a broad plate to a very stiff froth, then add gradually six table-spoons powdered sugar, beating for not less than thirty minutes, and then beat in about one heaping table-spoon of preserved peaches cut in tiny bits (or some use one cup jelly).</description></item><item><title>Jerome Berglund &amp; Melissa Dennison</title><link>/issues/2026-06/2026-06-berglund-jerome-dennison-melissa/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-berglund-jerome-dennison-melissa/</guid><description>Read in landscape mode! sell them the rope the swoop of birds above gallery skies: sounds of sculpture at every spread, the devil appears bursting into the churchyard fairy ring pink koshu grapes where the bodies are interred first frost leaves impersonate snow cast iron rust on the fleur-de-lis book club, a frog out of sorts other nesses other lochs fell running the dog&amp;rsquo;s wet nose in a field, shepherds a taste of angel cake city noise animal, mineral, or vegetable</description></item><item><title>Erica Curtis</title><link>/issues/2026-06/2026-06-curtis-erica/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-curtis-erica/</guid><description>Read in landscape mode! Electric Kool-Aid Tangerine Lip Gloss Hershey&amp;rsquo;s Kisses in crinkly tin foil melt in the shaft of light on the table.</description></item><item><title>Louis Cutrona, Jr.​</title><link>/issues/2026-06/2026-06-cutrona-louis-jr/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-cutrona-louis-jr/</guid><description>Did Not Nietzsche? Did not Nietzsche write in The Atlas of Forgetfulness, summa vitae of his major works, a musing on the role of absence, loss, and dissolution – Nichtsverfassung, that which has come to naught – in 19th century Prussian literature, engendering in the superior person, the Übermensch, an urge to confront the depredations of lost time (in the Proustian sense), the last stage of the examined life, to assert and preserve, to surmount, to struggle; to maintain cohesion in the final moments of life, triumphing over death in a final moment of acceptance that flows unperturbed into the transcendence of eternal sleep?</description></item><item><title>Mahmoud El Mardi</title><link>/issues/2026-06/2026-06-el-mardi-mahmoud/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-el-mardi-mahmoud/</guid><description>Chromatic Resilience Artist&amp;rsquo;s Statement Acrylic on canvas. A dialogue of pigments layered like the mud walls of rural Sudan. These are not just colors: they are the rhythmic ebb and flow of the Nile, where organic shapes defy rigid geometry to find their own path of survival.</description></item><item><title>Matthew Fertel​​​​​</title><link>/issues/2026-06/2026-06-fertel-matthew/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-fertel-matthew/</guid><description>Artist&amp;rsquo;s Overview My work focuses on exposing the hidden beauty in the mundane objects I encounter daily. By concentrating on shapes, textures, and colors, I seek to transform them into abstract landscapes, figures, and faces.</description></item><item><title>Christopher Garland</title><link>/issues/2026-06/2026-06-garland-christopher/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-garland-christopher/</guid><description>It&amp;rsquo;s (Not) a Sign Artist&amp;rsquo;s Statement Since moving to Savannah in 2017, I have walked around and around taking photos at night.</description></item><item><title>Jones Irwin​​​​​​​​​​​​​​​​​​</title><link>/issues/2026-06/2026-06-irwin-jones/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-irwin-jones/</guid><description>An Appreciation of J. H. Prynne (In Relation to the Interpretation of New American Poetry) Some of the things I wrote down astonished me.</description></item><item><title>Brian L. Jacobs</title><link>/issues/2026-06/2026-06-jacobs-brian-l/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-jacobs-brian-l/</guid><description>a consultation with dirt flying peacocks with galloping antelope and drum charging oxen
lifting the throb at the avalanche pedestal</description></item><item><title>Maya Jacyszyn​</title><link>/issues/2026-06/2026-06-jacyszyn-maya/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/issues/2026-06/2026-06-jacyszyn-maya/</guid><description>a glimmer of gratitude post-gore gladly, take the split thumb open to sky&amp;rsquo;s soggy breath, – red spewing by the gillions – over a dank hole in the dirt six feet done.</description></item></channel></rss>