Kasey Perkins

The Betrayal Brigade

I.

They set out marching
two by two – wait –
no, that’s not right.
They can’t be in twos.

There is no lifelong pair
bonding here.

Fine. One by one, then.

II.

I want to say something
beautiful; I want to say
that the ancient Greek pantheon
was a panoply of desperate love,
that every single
ersatz Hera
was Zeus falling –
what else is worth Helios
blotting out the world
(like we turn off a television)?
All for Alcmene,
he bathed the landscape
in darkness and deceit.

III.

They set out marching single
file through the tapestry
of space and time;
they wear no uniforms,
no buttons shine like miniature
suns set in the galaxies
of their starched lapels –
just suits, jeans, those viral
grey sweatpants, scrub
bottoms, tennis shoes.

They are from the Latin, briga,
which means strife.

To be human is to cheat –
on tests, on taxes, on people.

IV.

I wanted to say something
beautiful; instead, I’m rewatching
Scandal. Fitz is burning
down the world (like Hera
lighting a funeral pyre
with a vengeance),
supposedly all for Olivia,
but mostly because
power
loves to smother
sunlight.

V.

Somewhere, in a middle school
gymnasium, a little boy
twenty-six years in the past
asks a little girl who’s not his
for a dance.

Author Reading

About the Author

Kasey Perkins earned an MFA in poetry at the University of Missouri – St. Louis and an MA in English at Truman State University, where she was both an organizer and a frequent performer in the poetry slam community. She is the recipient of the 2014 Margaret Leong Children’s Poetry Prize and has been a reader for Sundress Press’ Best of the Net prize since 2017. Her chapbook, When the Dead Get Mail, was released by Finishing Line Press in 2019.

Her poetry and poetry book reviews have appeared in the Chattahoochee Review, Chariton Review, Digital Americana, Green Hills Literary Lantern, the Wisconsin Review, the Oracle, Lumina, among other venues.