Casey Killingsworth​​

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Nostradamus Finally Gets His Own Talk Show

You want to know what I’d change, if I could go back,
but that’s not a question, really, is it. Of course, the times
I was mean or short, the deaths of those around me,
my father, my daughter. Of course.

Long live transparency; there were times when something
caved in, a job or a relationship, that secretly I didn’t want,
anyway, but still I feigned disappointment. Or the times
I thought about breakfast during a funeral: you can’t exactly
admit to that kind of behavior, and I’m sorry for it.

When I was seven, my parents let me attend a movie
by myself. To show their faith in me, they actually left
the theater – no watching me from the balcony – they left.

And when the scary part dropped, I ran out of that theater,
just to make sure the busy streets and businesses
were still as intact as they had been before I walked in.

And there they stood in their bricks and repetitiveness,
awaiting consumers who had no idea they needed
to consume. And there was me, stranded between
fear and a busy street, with no money to spend
when they wouldn’t let me back in the theater.

But you already knew that, didn’t you.

Author Reading

About the Author

Casey Killingsworth has work in The American Journal of Poetry, Better Than Starbucks, Two Thirds North, The Moth and other journals. His first book of poems, A Handbook for Water, was released by Cranberry Press in 1995; his collection A nest blew down was published by Kelsay Books in 2021. His newest, Freak Show (Fernwood Press), arrived in June 2024.