Kimmy Chang

Self-Portrait as a Hat

If the work didn’t kill you, it was bound to get you thinking. / After rehearsals and all-nighters and Wild Turkey meant to dull it, you still recompile, until the kernel kicks and everything goes black. / Fifteen minutes on a stage, ten more beside a wrinkled poster, while the applause is a lint roller that leaves the fabric fuzzy-white. / The Devil’s advocate in you knocks like death: one, two, three, four. / How do you waltz back to the pocket office without tripping on your gray shadow? / Ping goes the manager: Thrilled for your next assignment? / I resolve to perform as if the project were my passion, to hit the marks as though the marks were mine. / Anyone can fool another fool, I tell myself, and the self applauds. / The days lose their labels: Thursday, tomato-jerky ramen day, the trash again, the inbox? Always. / Smile, I echo, and I start the rehearsal over, swapping birds for words until the sentence holds still. / Down the hall, the dog barks; in the kitchen, the windows stay shut. / It’s terrible to lack a home or work, and terrible, too, to be locked inside. / If the work doesn’t kill you, it drafts you into mask-making. / So try again: crack the plastered grin; keep the face that’s yours, even under a mildewed flapjack.

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About the Author

Kimmy Chang is a Pushcart-nominated poet based in McKinney, Texas. Her poetry has appeared in Amsterdam Quarterly, ONE ART, trampset, and more. She studied creative writing at Stanford under Aria Aber and Richie Hofmann. Find her online at sites.google.com/view/kimmychang/poetry.